De Naco a Millonario - Watch Any Movie Any Time You Want
Al sper fantico del ftbol, Pedro Weber "Chatanuga" le sonre la suerte al ganarse nada menos que los pronsticos deportivos. Hasta sus hijos: Huguito, Maradona y Pele, le echan porras cuando se va a la ciudad de Mxico para reclamar su premio. Pero la bronca es que su compadre, Alfonso Zayas, esta tras de el boletito y para eso esta dispuesto a intercambiarlo hasta por su esposa. Vea por las que pasan estos dos nacos y sus esposas por unos cuantos milloncitos. Pedro Weber "Chatanuga" a super fanatic of football soccer wins the jackpot of the soccer sweepstakes. Even his three sons, Huguito, Maradona and Pele cheer him on his way to Mexico city to claim his prize. But the only problem is that his "compadre", Alfonso Zayas is after his winning ticket and wouldn't even think twice to trade it for his wife. Experience the adventure of these two "compadres" and their wives for a few million bucks. In Spanish No Subtitles
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De Naco a Millonario is a movie that everyone can enjoy together.This is something not usually seen in movies of this type, so it makes it an unusual, yet pleasant experience.The movie is absolutely stunning and Jacaranda Alfaro deliver some award winning performances in this movie. I also think Maria Cardinal was great!
I think Edith Clever and Ruth Drexel worked wonderful in Marquise of O. The great supporting cast includes Edith Clever, Ruth Drexel, Bernhard Frey, Bruno Ganz, Hesso Huber.
I left some information, immages, and video previews of Marquise of O below.
Summary of Marquise of O:
After Eric Rohmer completed his "Six Moral Tales," and before launching into the "Comedies and Proverbs," he tackled two projects very different from anything else in his career. In the first of these, The Marquise of O, based on the novel by Heinrich von Kleist, Rohmer leaves the young intellectuals of Paris for Italy during the Napoleonic wars. During the Russian invasion, the beautiful young marquise (Edith Clever) is saved from certain assault by a handsome and dashing count (Bruno Ganz). She spends the night guarded by her chivalrous savior, who returns months later to rather insistently court her. Only when he leaves does she discover that she is, unaccountably, pregnant. Rohmer's style is both more lush (shot in rich colors by Nstor Almendros) and less intimate than his previous romantic comedies, directed in painterly compositions at a removed distance. Unlike the self-obsessed young adults of his modern films, the count and the marquise act out of moral duty and social responsibility, and their actions reverberate through family and community. Yet this is still a Rohmer film, filled with carefully tooled dialogue (spoken in German) and informed by irony. The story of innocence and corruption, and the shades that lie within even the best of men, ends on a note of delicate forgiveness and understanding. Rohmer followed this with an even more unexpected stylistic experiment, the beautiful and beguiling Perceval. --Sean Axmaker